{"id":11751,"date":"2020-03-02T09:41:34","date_gmt":"2020-03-02T08:41:34","guid":{"rendered":"https:\/\/www.redazionecultura.it\/altermedia\/?p=11751"},"modified":"2020-03-02T10:06:56","modified_gmt":"2020-03-02T09:06:56","slug":"grafica-e-musica-le-migliori-copertine-dei-dischi-charlie-parker-dial-records","status":"publish","type":"post","link":"https:\/\/www.redazionecultura.it\/altermedia\/grafica-e-musica-le-migliori-copertine-dei-dischi-charlie-parker-dial-records\/","title":{"rendered":"Grafica e Musica &#8211; Le migliori copertine dei dischi: Charlie Parker \/ Dial Records"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Etichetta: Dial Records \u200e\u2013 202<br>Serie: The Great Sides Of Modern Jazz \u2013<br>Formato: Vinyl, LP, 10&#8243;, Album, Compilation<br>Paese: US<br>Uscita: 1949<br>Genere: Jazz<br>Stile: Bop<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Elenco tracce<br>\nA1    Relaxin&#8217; At Camarillo   <br>\nA2    Cheers  <br>\nA3    Carving The Bird    <br>\nA4    Stupendous  <br>\nB1    Cool Blues  <br>\nB2    Dark Shadows    <br>\nB3    Hot Blues   <br>\nB4    This Is Always  <br>\nB5    Bird&#8217;s Nest<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Accrediti<br>\nAlto Saxophone \u2013 Charlie Parker<br>\nBass \u2013 Red Callender<br>\nDrums \u2013 Harold West* (tracks: B1 to B5), Roy Porter (tracks: A1 to A4)<br>\nGuitar \u2013 Barney Kessell* (tracks: A1 to A4)<br>\nPiano \u2013 Dodo Marmarosa (tracks: A1 to A4), Erroll Garner (tracks: B1 to B5)<br>\nTenor Saxophone \u2013 Wardell Gray (tracks: A1 to A4)<br>\nTrumpet \u2013 Howard Mcghee (tracks: A1 to A4)<br>\nVocals \u2013 Earl Coleman (tracks: B1 to B5)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/www.redazionecultura.it\/altermedia\/wp-content\/uploads\/2020\/03\/le-migliori-copertine-dei-dischi-charlie-parker-dial-records_00-1.jpg\" alt=\"Grafica e Musica - Le migliori copertine dei dischi: Charlie Parker \/ Dial Records\" class=\"wp-image-11753\" srcset=\"https:\/\/www.redazionecultura.it\/altermedia\/wp-content\/uploads\/2020\/03\/le-migliori-copertine-dei-dischi-charlie-parker-dial-records_00-1.jpg 600w, https:\/\/www.redazionecultura.it\/altermedia\/wp-content\/uploads\/2020\/03\/le-migliori-copertine-dei-dischi-charlie-parker-dial-records_00-1-150x150.jpg 150w, https:\/\/www.redazionecultura.it\/altermedia\/wp-content\/uploads\/2020\/03\/le-migliori-copertine-dei-dischi-charlie-parker-dial-records_00-1-300x300.jpg 300w, https:\/\/www.redazionecultura.it\/altermedia\/wp-content\/uploads\/2020\/03\/le-migliori-copertine-dei-dischi-charlie-parker-dial-records_00-1-570x570.jpg 570w, https:\/\/www.redazionecultura.it\/altermedia\/wp-content\/uploads\/2020\/03\/le-migliori-copertine-dei-dischi-charlie-parker-dial-records_00-1-510x510.jpg 510w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Etichetta: Dial Records \u200e\u2013 202Serie: The Great Sides Of Modern Jazz \u2013Formato: Vinyl, LP, 10&#8243;, Album, CompilationPaese: USUscita: 1949Genere: JazzStile: Bop Elenco tracce A1 Relaxin&#8217; At Camarillo A2 Cheers A3 Carving The Bird A4 Stupendous B1 Cool Blues B2 Dark Shadows B3 Hot Blues B4 This Is Always B5 Bird&#8217;s Nest Accrediti Alto Saxophone \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11752,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wpai_generated_summary":"","wpai_meta_description":"","footnotes":""},"categories":[8],"tags":[11521,11523,4221,4443,4676,6451,9022],"class_list":["post-11751","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte","tag-charlie-parker","tag-copertina","tag-grafica","tag-illustrazione","tag-jazz","tag-musica","tag-vinile","czr-hentry"],"_links":{"self":[{"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/posts\/11751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/comments?post=11751"}],"version-history":[{"count":1,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/posts\/11751\/revisions"}],"predecessor-version":[{"id":11754,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/posts\/11751\/revisions\/11754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/media\/11752"}],"wp:attachment":[{"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/media?parent=11751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/categories?post=11751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.redazionecultura.it\/altermedia\/wp-json\/wp\/v2\/tags?post=11751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}